The stones and other materials you choose, and the way you combine them with different metals and gems, are a big part of the magic of Venyx. Tell me about some of the most unusual materials you have worked with.

I’ve worked with a wide variety of materials ranging from diamonds to fossilized mammoth bone. I enjoy using interesting stones such as azure malachite, howlite, and even softer materials like lava, which have all found their way into my work. Rutilated quartz is another favorite for its striking needle-like inclusions, that add texture and dimension.

Last year, I created a small suite of jewels with the Greek ocean conservation organization Bluecycle. Their ingenious process transforms discarded ocean plastics and waste from the fishing industry, into desirable, design-focused objects.

Noir explores the natural markings of dendritic agate. Why were you drawn to this stone in particular?

I love dendritic agate. My journey with it began at the Tucson Gem & Mineral Show, where I was captivated by its unique beauty. Each stone has its own character and comes with almost painterly inclusions, which tell a story within each piece. 

People often think that the delicate markings within the agate are painted, however these intricate features are in fact intrinsic to the stone, created by the presence of iron oxide or manganese during the formation process.